Category: Film

Winner of the 2009 Material Culture and Archaeology Film Prize: Shot in Cameroon and Brussels, 'Je ne suis pas moi-même' explores the world of African antiquities and the contradictions in a European art market hungry for new tribal objects. Where do the African masks come from? What journey do they make before their unveiling in fancy galleries or art collections in Europe? Who determines their value? © Alba Mora & Anna Sanmarti (film distributed by the RAI)Ethnographic film, and visual anthropology more generally, have a well-established position within the discipline’s mainstream. The RAI acts as contact point in the UK for information, networking and advice in visual anthropology, organises film screenings and lectures, and provides a base for international visitors. In addition it supplies a service based on the acquisition, hiring out and sale of ethnographic films, videos and DVDs for educational and academic purposes. The RAI’s ethnographic film library is one of the world’s largest and most important. New titles are added on a continuing basis to both the sales and the archive reference holdings. All films submitted for inclusion are screened by the specialist Film Committee, guaranteeing a standard of excellence unparalleled elsewhere. Growing numbers of film company researchers and broadcasters now consult the RAI film materials. RAI Film Festival is held biennially.

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  • A Life with Slate

    Festival Year

    Film Original Title (if different)

    Film screener link

    Year of production 2006

    Festival Prize Category

    Duration 59

    Community and/or ethnic group Thami People

    Location(s) depicted

    Synopsis Alampu is a beautiful and exceedingly remote village in Nepal. The majority of the settlers there are Thami people, one of the indigenous groups of Nepal. More than 90 percent of them have been involved in the slate production at Alampu. This film includes technical details about slate production in the mountainside mine, and how the slate is worked prior to distribution. In the film we see the social relationships, co-operation between the miners, and the intimacy of the mining families. Strong women perform the tough and arduous work alongside the men. They have to carry heavy slate loads far to sell them. The film also describes the socio-cultural life of the village and its interaction with the environment. The activities of the men and women in the mine, as well as in the village, have an almost poetic dimension.

    Language(s) of film subjects Thami with English Subtitles

    Colour / Black and white Colour

    Film web page

    Url of film page player

    Directors Kharel, Dipesh

    Production company or producer

    Country of production Norway

    Image 1 uploads/rai/rai_a_life_with_slate.jpg

    Image caption © Kharel

    Status A

    Contribution

    Presentations

    Awards Material Culture Film Prize 2007

    Student film prize

    Werbner Award Entry

    Ethnomusicology Film Award

    USC Festival

    ASP URL http://search.alexanderstreet.com/view/work/1870981

    ASP royalty percentage25

    ASP sale enabledY

    ASP start date n/a

    Anthropologist(s) – first name Dipesh

    Anthropologist(s) – last name Kharel

    Anthropologist(s) – affiliation Visual Cultural Studies, University of Tromsø

    Anthropologist(s) – contribution title

    Anthropologist(s) – contribution description

    Camera

    Country Nepal

    DVD Territory

    DVD royalty percentage to filmmaker 50

    DVD sales enabled Y

    Director(s) – first name Dipesh

    Director(s) – last name Kharel

    Director(s) – affiliation

    Distribution company or distributor

    Editing Film fest screening

    Film original format —

    Image 2

    Image name uploads/rai/rai_a_life_with_slate.jpg

    Kanopy URL

    Kanopy sale enabled

    Keywords Labour
    Socioeconomic conditions

    Language of film narration

    Language(s) that subtitle are available in

    On Demand Price

    On Demand Url

    On Demand enabled

    RAI Film Festival Award

    Region South Asia

    Screen ratio

    Section Sales

    Series

    Series number

    Sound

    Werbner Award

     

  • EASA design

    EASA logo

    Decisions on the EASA logo has to be made before web design can commence. The graphic used in the logo, as well as it’s fonts and colours, form the design starting point for the website.

    Option 1: New logo

    If there will be a new logo, work on that should start now, meaning, finding a logo designer and creating a brief. A new logo will require decisions on font both for the abbreviation (EASA) and the two full titles in English and French.

    Option 2:  Refresh the old logo

    If we are to refresh the current logo but not replace it, then we need decisions on fonts and colours. NomadIT can supply samples for this purpose, using the old logo swirl and current logo text.

    Option 3: We keep the current logo with no changes.

    Logo versions

    The logo should come in the following versions: 

    • short
    • full
    • icon
    • optional: panoramic

    As illustrated below, all these should be supplied in two colour versions: full colour and black and white. As an option could also be an inverted logo, in white/light on a black/dark background, ie used for dark t-shirts and also in very small versions, as light text on a dark background is more legible.

    Logo files should be supplied in the following formats:

    • photoshop .psd with all the layers intact
    • .svg
    • .jpg
    • .png on transparent background

    Parts of a logo

    The logo will ideally include

    • Logomark, which acts as an avatar for the organisation/conference, also used as favicon in browser tags).
      (here: EASA spiral)
    • Wordmark
      (here: EASA)
    • Tagline
      (here: European Association of Social Anthropologists /
      Association Européenne des Anthropologues Sociaux
     
     

    Note: A logo mark is not strictly necessary, the logo could simply be the title of the conference/organisation in specified fonts and colours.

    Note: where the tagline is long and necessary for the identification of the association, choose a font which is legible in a small size, and specify the minimum size of the logo.

    Fonts used in the logo

    Note: where the tagline is long and necessary for the identification of the association, choose a font which is legible in a small size, and specify the minimum size of the logo.

    full versions 

    panoramic versions  – could be used for web banners and emails

    short versions 

    icons  – for browser tabs, need to be square and should have good contrast and miminal number of colours

  • RAI Branding

    RAI FILM

    Ethnographic film catalogue by the Royal Anthropology Institute.

    Here follows a short description of what this service offers and how to access it.

    JRAI

    Journal by the Royal Anthropological Institute

    Here follows a short description of what this service offers and how to access it.

    Discover Anthrology

    Education platform by the Royal Anthropological Institute

    Here follows a short description of what this service offers and how to access it.

    AIO

    Anthropology Index Online by the Royal Anthropological Institute

    Here follows a short description of what this service offers and how to access it.

    etc.

  • RAI websites

    Other websites by the Royal Anthropological Institute.

    Screenshot of aio.therai.org.uk

    Anthropology Index Online

    Screenshot of climatechange.therai.org.uk

    RAI climate change HUB

    Screenshot of www.discoveranthropology.org.uk

    Discover Anthropology

    Screenshot of history.therai.org.uk

    RAI History

    Screenshot of londonanthropologyday.co.uk

    London Anthropology Day

    Screenshot of raifilm.org.uk

    RAI film Festival

  • RAI content examples

    The Royal Anthropological Institute

    The Royal Anthropological Institute of Great Britain and Ireland (RAI) is the world’s longest-established scholarly association dedicated to the furtherance of anthropology (the study of humankind) in its broadest and most inclusive sense.

    LATEST articles from our Journals

    RAI publishes Anthropology Today (AT), Journal of the Royal Anthropological Institute (JRAI) and Anthropolog&Photography amongst other publications, View all >>

  • Drawing on words and images: Collaborations in the anthropology of the underground

    Drawing on words and images: Collaborations in the anthropology of the underground

    Sabine Luning and Robert Jan Pijpers, Anthropology & Photography No. 16

  • Economy and ethics in the cosmic process

    Economy and ethics in the cosmic process

    Huxley Lecture: British Museum, 18 December 2019. Chris Hann.

    Journal of the Royal Anthropological Institute (JRAI) , Volume 28, Issue 1 (March 2022)